Saturday, March 28, 2020

WIP - "Rescue Of Hommlet" - Playtest Weekend

Having written stolen and mashed up rules to create a Chainmail/Book of War hybrid Frankenstein monster, I wanted to make sure that the thing played well, and I wanted to see what comes up that I hadn't thought of.

And I wanted to give the model a shakedown, to see how it would be used by (hopefully) friendly faces before taking it to GaryCon to sit next to two other Greyhawk games taking place with the same topic - the goings on of the Temple of Elemental Evil and the infamous Moathouse.

But first... picture porn of the model! I've made progress since the last model update from early December.

      

It felt really good to get the model to a point where I could play with it. Obviously, a lot of work left to be done, with painting details, making the mucky moat and surrounding terrain. The comments I got from players was very positive!



Playtesting - I had three concerns with the scenario and rules:
  • Will the rules work in reflecting that we have figures that represent single characters (1:1 scale) and figures that represent troop units (~10:1 scale)
  • With using the forces as represented in the module T1 - Village of Hommlet, is there a huge mismatch?
  • What surprises do I need to account for that devious players will come up with?
I ran one session on Saturday for Chris and Alex, two of my D&D players and members of the Northern Illinois Fantasy Miniatures Association. On Sunday, I ran a session for my D&D player Derek.

 

I'm happy to say that I got tons of great feedback from my very patient friends! Overall, they all expressed enjoyment with the scenario and with the approach of playing "D&D" with Chainmail as the battle mechanism. It became clear that what we had was more of a skirmish game than a huge battle. That turned out to be OK!

If you go and look at the rules, you can see a number of tweaks and approaches that I've adopted to reflect lessons learned. Here are the three big ones:

I. Having a character figure that isn't a superhero somehow take out a troop unit figure with just a single dice roll didn't feel right. The character should be a lot more threatened when they go against a unit of soldiers [1].

To solve that, I took this approach:
1. If the battle is troop unit figure vs. troop unit figure, or character/creature vs. character/creature, roll number of dice equal to Fighting Capability (FC) of unit. Count hits. This is standard Chainmail or Book of War.

2. If battle is troop unit figure (representing 10 soldiers) vs. character/creature, scale the dice. Roll # of dice representing FC of unit multiplied by number of soldiers left in figure. Count hits against character. Character rolls number of dice equal to their Fighting Capability.

So, Rufus the Fighter is facing a figure of bugbears. He has an FC of 6. He is attacking as Heavy Foot (HF) and the bugbears are defending as Armored Foot (AF). In my rules, he needs a 6. He rolls 3 6 1 1 2 5, so he scores a hit! That means a bugbear will be a casualty out of the unit.

The bugbears return the favor. Their FC is 2. The figure represents ten bugbears. So the player for the bugbears would grab TWENTY six siders and roll. The bugbears attack as HF and Rufus defends as AF. With twenty dice, the chances are likely for at least 3 to 4 hits, so Rufus might be in trouble here...

THIS felt right, even though it would be murder on the characters - as it should be! Up to about Superhero level, a single character is taking huge risks to get involved in an Aragorn-esque fight against a bunch of baddies.

What helped was the adopted rule that magic armor removes a dice from each roll. So if ten bugbears are rolling 2 dice each, Rufus's magic armor made that 1 dice. Which, magic armor should have that effect. So this felt right as well.

It does mean I'm going to have to track the "hits" on a troop figure from characters. So that as the character whittles away at the troop unit, it grows less and less effective in attacking, meaning less dice to attack with. I'm OK with that right now, but I'm still considering if this is the approach I want to take.

I may revert to the approach of Chaos Wars and represent units as multiple figures - so it will look like a 1:1 game, although troops on troops will still be adjudicated at a 10:1 scale. I'm not sure yet.

II. Magic and the different classes. At first, I was struggling with how to interpret the various bonuses and minuses from the gear that the inhabitants of Hommlet and Moathouse have with them. Through testing, we agreed to use the approach from "Compleat Chainmail" - if the defender (against ranged or melee) has magic armor, attackers remove a die from their roll. If attackers have a magic weapon, they add a die to their roll. This worked well for a convention game approach.

I also had to dig through OD&D history, original booklets, supplements and the Strategic Review articles to fill the rules and approaches for things in T1 that don't come in OD&D/Chainmail as written. Things like how to implement Elmo the Ranger (riff off the Ranger article from Strategic Review Vol 1, #3), the Druid Brother Smythe and his spells (look at Supplement III, Eldritch Wizardry), how does Lareth's Staff of Striking work in the Chainmail combat rules (riff off of AD&D/DMG description of the staff and have the player opt to improve a hit to be two or three, while spending charges).

That was a fun exercise in looking at how iconic classes were built, and how AD&D was still a similar game to OD&D in that you could easily use magic items from one in the other.

III. Crossbowmen are murder! The basic scenario has the Forces of Woe at the Moathouse, prepared with full knowledge of the approach of the Forces of Weal. This means that logically, the ranged forces are going to be on the ramparts, ready to shoot down any who approach. It's a sound tactic, used effectively through history. In the first game, I had written down the wrong range for crossbows, using the heavy crossbow range of 24" versus the actual range of 18". I also had two figures of crossbow units on the ramparts, to represent the 20 Guards of the New Master.

Had we run with the rule of multiple dice x FC of troop units versus single characters, I doubt that many would have survived the approach!

In the second game, I reduced the number of New Guards with crossbow to 10 soldiers (1 figure) only, but even with that, they murdered the approaching forces of Weal - taking out both single figures of mercenary bow and militia bow, then the elderly farmer captain armed with a crossbow.

The one factor in both situations was that the crossbowman had cover on the Moathouse's ramparts while the forces of Weal were out in the open.

I have a solution that is tied to the description of the terrain around the Moathouse.
A scrub of thorns, thistles, weeds, and shrubs grows thickly along the edge of the track which leads to the ruins, and even the track is mostly overgrown and cluttered with fallen branches and trees.
...
After two miles of distance, the land begins to sink and become baggy, as the track turns more northerly, and tall marsh plants grow thickly where cattails and tamaracks do not. Off to the left can be seen the jagged silhouette of the moathouse.
...
The bogs here stink, and the vegetation appears dense and prolific, but somehow sickly and unhealthy, creepers and vines throwing their strangling loops over the skeletons of dead saplings and living bushes alike. The rushes and cattails rustle and bend even when only a slight zephyr blows over the marsh, and weird bird calls, croakings, and other unwholesome sounds come faintly across the fen.
I had been saying that the only place where normal movement can happen is on the path/track to the moathouse. If you go off-road, you are in that thick scrub and vegetation, therefore you move at half movement. My fix here is to give anyone in the weeds the benefit of cover as well.

So it's a tough choice, go slow and with benefit of cover, or go fast and possibly get cut down. I think this is a good tactical choice, so I will leave the forces as-is, and playtest this approach.

Plus, I get to make more terrain! Scatter terrain to represent the bog/swamp around the moat.

There are a lot of other lessons and tweaks from the play-test, but these are big ones. I'm really glad I did the testing, it's going to make my Greyhawk game that much better.



Researching Greyhawk is interesting for me, because it's such hallowed, well-trodden ground in D&D lore. The Battle of Emridy Meadows and the Temple of Elemental Evil are well-known and beloved. This has led me to approach this scenario with a lot more preparation and thought than I normally do with my "plan a little, play a lot" approach. 

I want players to "feel" like this is OD&D/Chainmail and that the game is accurate, for the most part, to how T1 - Village of Hommlet sets things up. Judging by how my testers reacted, they weren't all that familiar with Greyhawk, but they enjoyed the experience. So I'm hopeful!

As a reminder, if you want to see what I'm doing, here are links to my documents on Google Drive:

[1] I blame Daniel Collins (of Delta's D&D Blog) for converting me to the view that many of the 'single person versus an army' fantasy scenes are just really unrealistic. I feel like it's a better game when I keep that in mind and take that approach. 

Thronebreaker: The Witcher Tales Now Available For Nintendo Switch!



Thronebreaker is a single player role-playing game that combines narrative-driven exploration with unique puzzles and turn-based battles, and spins the tale of Meve, war-veteran queen of two Northern Realms — Lyria and Rivia. Facing an imminent Nilfgaardian invasion, Meve is forced to once again enter the warpath and set out on a dark journey of destruction and revenge.




A set of free digital goodies comes with Thronebreaker, including the official soundtrack, concept art from the game, as well as an annotated map of Lyria. Details on how to claim these goodies can be found on the dedicated website.

Ported to the Nintendo Switch by Crunching Koalas, in close cooperation with CD PROJEKT RED, Thronebreaker: The Witcher Tales can be purchased right now from the Nintendo eShop. The title is also available on GOG.COM, Steam, as well as PlayStation 4 and Xbox One. For more information regarding the game, visit thewitcher.com/thronebreaker.






Y2K: THE GAME


The year is 1999. A new century is upon us and the new story to scare the masses is the Millennium Bug. Computers will stop working. Electricity will shut down. Mass hysteria! Someone had to capitalise on all of this. Step in Interplay with their prescient point-and-click adventure Y2K: The Game.

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Friday, March 20, 2020

Too Big To See

I made a startling discovery today. As my eyes get dimmer and my hand less steady, I may need to give up painting 40's and go back to 20mm!

Seriously, I kept finding bits I'd missed and eventually realized that with my fuzzy eyes and strong prescription painting glasses, I couldn't keep a whole boot in focus at once. There's also the little problem of increasingly wavering hand when painting lace etc.. So I grabbed a little guy out of the cupboard and I can see all of him at once and  would no longer dream of doing too much fiddly stuff on a little guy since it disappears at arms length now. However, doing 54mm Toy Soldiers still seems to work and be easy so we'll see.
The first half of the Greys, still minus carbines
Anyway, the first half of the Greys are done and have their first coat of varnish if not their carbines (need to cast 2 more). I also realized today, that one of these privates was cast in the officer mould and his ammo pouch is actually a bit of flash, or maybe sprue, that happened to be in the right spot. Yup, good thing I have naturally rosy cheeks. However, I have persevered, what I kept missing up close with glasses on, I won't see at arms length without them! (The horse actually gave him away - hey! That horse moved its leg!!)

Hopefully tomorrow will see the unit finished and I get back to nice simple skirmishers in stripy trousers.

Thursday, March 19, 2020

WW1 Naval Campaign - War Is Declared !


It's that time of year again, Easter always heralds the start of our annual Naval Campaign and this year we are focusing on early WW1, which is a great excuse to get Project Jutland out of the boxes again and of course add some new ships to the collection.

Thankfully this time rather than doing a load of prep myself prior to the Campaign I am using the book below to guide us through our journey.


The book was a download from Wargames Vault and is highly recommended, it has two levels, the tactical tabletop based element (report below) and a higher level Campaign Event element. I have decided to introduce the world to T'Yarkshire Ferret Newspaper, this esteemed publication will bring you the gossip and tittle tattle of the Campaign Events whilst the more traditional blog format below will bring you the blow by blow game reports. Make sure you have a good look at Ferret for the latest stories.

The Könign Luise (or as close as I have in my collection)

With the game reports I will be reporting what happened in our games, if you purchase the Campaign book you will find that each game has numerous potential paths that are determined by dice rolls or Campaign Events so each time you play the scenarios they have the potential of being different.

Game 1 - Chasing Königin Luise - 5th August 1914

In early August 14 with war imminent Jellicoe and the Grand Fleet put to sea, encouraged by the King with the following message, (they were of course further moved by the message from The King in the North Geoffrey Boycott see the latest edition of T'Ferret)

"At this grave moment in our national history I send to you, and through you to the officers and men of the Fleet of which you have assumed command, the assurance of my confidence that under your direction they will revive and renew the old glories of the Royal Navy, and prove once again the sure shield of Britain and her Empire in the hour of trial"


The Könign Luise was a liner that had been hastily converted to a minelayer and she had been out at sea around 30 miles off Harwich laying mines when she was sighted by two RN destroyers who were on patrol HMS Landrail and Laurel and the chase was on. I gave the Könign a couple of deck guns to liven things up.

The game starts at 11.00 am, the two destroyers are heading East 10,000 yards behind the Könign Luise. With a top speed of 30 knots to 16 in the Destroyers favour the boilers were stoked and the game begins. Visibility is 12,000 yards but there are a number of squalls in the area where visibility is as low as 2,000.

HMS Fearless to the rescue
11.15 following a radio message from HMS Landrail the nearest supporting unit, a Active Class Light Cruiser Fearless appears out of the gloom 12,000 yards East of the Könign.

11.23 First shell hit of the war as the front gun from HMS Landrail lands a hit on the deck of Könign.

Strike One to Landrail
11.37 The Germans haven't been asleep though and 5 Torpedo Boats V1,2,3,4 and 6 appear at full speed 12,000 yards West of Könign heading towards the Minelayer.

German reinforcements arrive
11.45 A squall settles over the table reducing visibility to 5,000 yards, initially leaving only the two destroyers and the Könign in sight of each other, shot continue to be traded, the Minelayer is struck a couple of times but without any critical damage. HMS Laurel is unlucky though as one of the shells from Könign finds the base of her funnel reducing her top speed by 4 knots.

12.00 visibility increases to 7,000 yards bringing the German Torpedo Boats into visible range of the British Destroyers.

First blood to the Germans
12.07 The Germans sink the first ship of the game as V1 puts a round into the Magazine of the Destroyer HMS Laurel, without warning the ship explodes sinking rapidly.

12.15 Visibility increases to 9,000 yards.


12.23 further German ships arrive in the shape of the light cruisers Breslau, Regensberg and Rostock 10,000 yards South of the Könign.

British Light Cruisers
At the same time 12,000 yards to the east of Könign two British Light Cruisers in the shape of Lowestoft and Southampton steam into view.


12.30 Meanwhile it's all getting a bit messy in the middle of the table as the close range destroyer action continues around the burning wreck of the Laurel. It's not all going the Germans way as a hit on V1 from HMS Fearless starts a fire on board the German Torpedo Boat.


12.37 in the general Melee in the centre there is a narrow miss as the leading German TB narrowly misses HMS Fearless only for the next in line to strike her.


12.45 The fighting in the middle is getting nasty as the photo below shows, V3 has a none exploding magazine hit whilst V6 stumbles ahead blindly with her Bridge destroyed whilst the Germans pour fire on the slow moving Fearless who is getting underway post collision.


12.52 Torpedoes are in the water and heading towards the slowly accelerating Fearless, she is a small ship combing the tracks so all the odds are in her favour.


13.00 in what turned out to be the final turn as Visiblity drastically reduced again due to a Squal and the Germans took their first loss, the V3 was unable to extinguish an on board fire which raged out of control.


But at the same time even with all the odds in her favour Fearless was struck in the rudder by a torpedo causing massive damage and flooding she too quickly sank.


But it wasn't all good news for the Germans as they lost a further two Torpedo Boats in the post action phase, one failed to deal with damage sustained in the fight, the other had sustained so much damage that she was unable to make it back to port and had to be scuttled by her crew.

So in a quite bloody first encounter the British have lost a Light Cruiser and a Destroyer whilst the Germans have lost three Torpedo Boats, next time will see us cruising round the sights of Heligoland Blight.

GGJ @ KSU - CANCELLED

Due to the lack of registrations, the 2017 Global Game Jam @ KSU will not be held at KSU this year :'-(.

You are still encouraged to jam over the GGJ weekend, there are several sites available in Atlanta.






Soulcalibur 6 | Review, Release Date, Gameplay, & More...| Pro-GamersArena


Soulcalibur 6 review, soulcalibur 6 gameplay, soulcalibur 6

Soulcalibur 6 | Review, Gameplay, & more...



Following a six-year absence from the 3D battling scene, Soulcalibur makes a triumphant return in its seventh passage in the principle series. The following in Bandai Namco's line of arcade battling games holds consistent with its extraordinary image of weapon-based battle while sprinkling in simply the appropriate measure of new mechanics. The mix separates it from its predecessors, as well as keeps it aggressive against all others in its class.

SoulCalibur is, at its center, a straightforward game. You just have three assault buttons – flat and vertical assaults and a kick – and in addition a button to block. There's a substantially more prominent accentuation on 3D development in SoulCalibur – dividing is vital, yet in addition position, as a few moves will hit avoiding rivals and Ring Outs are much more incessant in SC than some other battling game and a critical piece of triumph. You have to consider where you are consistently and attempt to make the best course of the move.

The story returns to its foundations, retelling the occasions of the first Soulcalibur, and gives two altogether different however similarly advantageous story modes that tissue out the story of swords and spirits in a way that is more digestible than any other time in recent memory. 

Be that as it may, regardless of anything else, Soulcalibur 6 is super fun game. It's enjoyable to play, amusing to learn, amusing to watch, and even when some dated introduction issues raise their heads, they do almost no to discolor Soulcalibur 6's shine.



Recent Article: Anthem | Review, Gameplay, News & more...


Quick Facts:

  • Release Date: October 19, 2018
  • Genre: Fighting
  • Developer: Project Soul
  • Platforms: PS4, Xbox One, PC


New to the series is a mechanics called Reversal Edge, which puts your character in a position that enables them to assimilate a few hits previously conveying their own strike. This assault starts a stone/paper/scissors-like minigame to choose who bargains the following hit and recoups the energy of the battle. 

At first glance, this may appear as though a good fortune constructed a speculating game with respect to best of a duel of aptitude, however, once you truly delve into it, it opens the entryway for some extremely precarious personality games.



Each character currently additionally has a Soul Charge. Players can fabricate meter via landing assaults, at that point at the expense of a bar of meter, give themselves an interesting buff and access to new intense moves and combos. It's an incredible option that adds distinction between characters. What's more, Soul Charges include a decision for players when spending their meter: Either dump a bar of meter on one immense move that arrangements harm in advance, or utilize a Soul Charge to possibly bargain more harm over a more extended timeframe. 

Whatever is left of Soulcalibur 6's mechanics feel like a refinement of an effectively awesome battle framework. I'm appreciative protect impacts never again cost meter. I cherish that deadly hits are new "super" counters that are fundamentally the same as pound counters in Street Fighter 5. Furthermore, even with all the new mechanics that could entangle Soulcalibur 6, it's as yet one of the most effortless battling game to hop into, begin hammering button and still have an awesome time.




Soulcalibur: ' The Libra Of Soul '

The real attraction is the other story, called 'the Libra of Soul'. Here you make a custom character from a genuinely hearty suite, enabling you to make everything from a normal knight in sparkling shield to some extremely ignorant stuff.

Libra of Souls begins moderate with a story introduced on the whole without voice acting or cutscenes. Be that as it may, following two or three hours, it rapidly wound up one of my most loved story modes I've ever played in a battling game. Libra is testing, its main goal assortment works admirably of keeping the battle new, and it constrained me to investigate movesets in manners I generally wouldn't have. There's likewise an extraordinary feeling of movement on account of the RPG components and adroitly composed weapon overhaul framework that kept me returning. 

Shockingly, that absence of voice acting and those static screens mean the plot can get somewhat dry now and again. Be that as it may, its general account kept me contributed enough to need to see it all the way to the finish, with experiences with different characters including a pleasant dosage of setting to the next story mode, Soul Chronicle.





What is 'Chronicles Of Soul? '



Soul Chronicle is the fundamental story that runs parallel to Libra of Souls. Its completely voice-acted offering is the more customary single player Soulcalibur story encounter including the reviled sword Soul Edge as it pursues the principal trio of Kilik, Maxi, and Xianghua, and their quest for Nightmare. You can likewise choose every individual character and experience a brisk smaller than expected battle that spotlights on what they're doing at a particular period on the course of events. Fundamentally, it takes the individual character accounts of an arcade mode, lays them full scale helpfully on a course of events, and gives you a chance to handle them in any request you need. It's an extraordinary expansion and ties the character program together in an exceptionally strong manner.


The Verdict.

In spite of some minor issues, the spirit of Soulcalibur 6 is strong to the point that it feels like a genuine continuation of SoulCalibur 2, in a way that none of the others oversaw. The new Reversal Edge and Soul Charge mechanics include new layers of technique and mind games while the one-two punch of Libra of Soul and Soul Chronicle will give a long time of phenomenal single-player content. Despite that Soulcalibur 6 is only straight up a good time for players of any expertise level.

That's all about for Soulcalibur 6 for now, but as soon as Pro-GamersArena get some new info, we will let you know, till then keep loving and sharing, And be in touch with "Pro-GamersArena", "THE PRO-BROS ARENA"

Monday, March 16, 2020

The Usual Result Of A Decision To Focus

Yes, it was time to focus on getting my 40mm Homecast French Revolution forces ready. Despite the bitter cold and damp I sallied forth to the woodshed and fired up the smelter. In a short time I had a selection of heads and bodies for the project along with a head of unusable castings due to the poor conditions, and a handful of goblins and wargs.

Wait, what?


Yup. Well, I mean I had the mould but hadn't used it and...well what harm could it do to cast them. Not like I was going to paint  them and then get a 25mm Medieval/Fantasy game going? Right?

https://gatheringofhosts.blogspot.com/2020/01/fighting-for-hearth-and-home.html

Yeah OK, not really a surprise then.

Up Next??  Why are you asking me?!? 

Sunday, March 15, 2020

Suzy Cube Update: June 8, 2018

#SuzyCube #gamedev #indiedev #madewithunity @NoodlecakeGames 
There's no point beating around the bush. June 19, 2018. Less than two weeks from now is when the world finally gets to meet Suzy Cube!
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Thursday, March 5, 2020

Small Modern House + DOWNLOAD + TOUR + CC CREATORS | The Sims 4 |


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Ishar: Trophy RPG


A minotaur takes apart my party while I hit him occasionally for 2 hit points.
           
Aside from its graphics and sound, which I began my first entry by praising, Ishar feels like a "lite" version of every game that inspired it. It's like it took a bunch of other RPGs but only copied their most superficial features. It has the character attributes, skills, and leveling of a lot of RPGs, but not with any depth or complexity. It has the switches and keys of a game like Dungeon Master but none of the challenging puzzles. It has a combat system that looks something like Might and Magic III or Eye of the Beholder, but it doesn't really get it right. It's like a movie with great cinematography but bad acting and not much of a plot.

I don't know how to judge its combat system. Either the developers screwed up or they deliberately did something different but in doing so introduced new problems. On the surface, it adopts a Dungeon Master convention of giving each character an attack button and having them trade attacks with enemies in real time. It even does one better by mapping the attacks to the function keys. The problem is that there's no cool-down, so it hardly makes sense to have all your characters attack. In fact, it makes the most sense to have the character with the best combat skills attack exclusively, keeping the others up front only as meat shields, to spread out the damage taken from enemies. The attacking character has to eat more often to regain stamina, but otherwise there's no downside.

I'm not sure I understand the little combat formation grid that you can activate on the right side of the screen. Each character has a unique symbol, and you can arrange those symbols on a 5 x 5 grid to make ranks and formations. It's not a bad idea, but I don't think the game really makes full use of it. Characters not in the front rank can neither hit nor get hit in melee combat, but beyond that, I don't see where the specific position and arrangement matter. Someone correct me if you know more.
             
This arrangement doesn't seem to do anything different than putting one character anywhere in the front rank and the other characters anywhere in the other four ranks.
            
The worst part about combat is how the game treats missile weapons and spells. If a character is equipped by a missile weapon, hitting the attack key doesn't launch it; it brings up a cursor so that you can click on the specific enemy that you want to target. Why is this extra step necessary? Melee weapons don't target specific enemies. If combat paused while you made your selection, that would be one thing, but instead enemies continue to attack while you take your hand off the keyboard and move it to the mouse to point at a specific enemy and click.

Spells are even worse. To cast one, even in combat, you have to click the "Action" button, then "Cast Spell," then the name of the spell, and then target it, all while enemies are pounding away.
            
Casting takes too much time to do in combat.
         
Both missile weapons and spells are a god-send, however, when you encounter the occasional enemy who refuses to advance. I wasted a lot of hours trying to melee a minotaur guarding a bridge with a morningstar in each hand. After several full-party deaths, I realized I could stand a square away and pelt him with arrows (albeit expensive ones), "Magic Missile" spells, and daggers until he finally collapsed.

A lot of spells are defensive or healing spells, and party members are useful for their other skills, including "Lockpicking," "First Aid," and "Languages." But you need far fewer than the four companions you can choose to go on the adventure.

As for the innovations with NPC interactions, they've mostly been annoying. The one time I tried to kick an NPC out of my party, the other characters voted to overrule me and keep him. Meanwhile, NPCs that I want to retain have a way of disappearing in the middle of the night, with all the expensive stuff I've bought for them, when we stay at inns.
         
Coward.
        
I broke off the last entry by suggesting that I was going to try to map the island, which I estimated at 100 x 400 and concluded was "big but not unmappable." That's the problem with doing multiplication in your head. I had calculated it at 4,000 squares, which is the same size as a dungeon of 10 levels of 20 x 20. In fact, 100 x 400 is actually equal to 40,000--not Fate: Gates of Dawn, but still a few too many to map unless you really love the experience. 

Upon studying the map in more detail, I realized that a map might be superfluous anyway. Kendoria is a large place--much longer east-west than north-south--but it's mostly made up of small islands interconnected by bridges. It doesn't take a lot of effort to comprehensively explore an island. You just run around its perimeter and crisscross the interior a few times.
            
Kendoria is less a "land" than an archipelago.
        
The game begins on the furthest-west island, which is divided into Fragonir to the north and Angarahn to the south. Fragonir had the village on the docks, while Angarahn had the other village I explored last time. Between the two of them, they have a strength trainer and an agility trainer, but I still haven't felt flush enough to use them. Angarahn has some encounters with orcs that seem to respawn. Enemies typically leave bags of a few hundred gold when they die, but it costs about 1,500 gold pieces to have a meal and a night's sleep at a tavern.

East across the bridge from Angarahn is a large island with Lotharia on the west and Fimnuirh to the east. Lotharia has a small village to its north with a spell trainer. There were several encounters with werewolves or maybe bears, probably bears because later I fought somethings that looked more like werewolves. Fimnuirh is a huge, empty area where I keep getting attacked by something that I can't see. I suspect that this is the "invisible lizard man" named Brozl that I learned about in an NPC's hut. The NPC told me that to kill him, I would need to use a Mental Vision Helmet, wherever that comes from. I'll need to kill Brozl because he has some magic rings that "protect from the dragon's fire."
           
I have no idea what race this NPC is.
         
There was an interesting encounter in Lotharia with a floating head calling himself "Azalghorm the Spirit," the messenger of the "Silmarilian Gods." He told me that we "could attempt" three quests, all of which would help us "when you finally have to face [the] evil Krogh." He said the quests were called "The Magician's Talisman," "The Exhausted Witch," and gaining possession of all of the rune tablets. I have no bead on the first two quests, but I found one rune tablet on a pedestal in Lotharia and the other on a pedestal in the dungeon.
          
The main quest turns into sub-quests.
          
East from Fragonir and north from Lotharia is a small area called Osthirod. There were some encounters with tall, powerful werewolves plus a hut where a "medium" offered to give me medical advice for 1,000 gold pieces. I took a screenshot of some kind of tall sentinel in armor blocking access to some part of the area, but I neglected to mark where it was.

Most of my NPC companions were killed by the bears and werewolves, plus some bandits that I met in Osthirod's neighboring nation of Rhudgast. I replaced them with a weird monk named "Unknown," a warrior named Fragorn, and a priest named Kiriela, who I found standing around the wilderness of Fragonir. Soon afterwards, Fragorn disappeared when we stayed at a tavern for the night, so I replaced him with a terribly effective "spy" named Nasheer. Unknown is kind of useless except for his "Magic Missile" spell and Kiriela is useless except for her "Healing I" spell. Golnal is just useless, but the party wouldn't let me kick him out. Aramir remains the best melee fighter.
          
Who's your god? Hugh Hefner?
        
Osthirod and Rhudgast occupy the same island, separated by a large, impenetrable thatch of forest. You have to cross between them on a small strip of land to the south. A pathway leads north from this strip of land to a dungeon entrance--the first in the game. There wasn't much of a transition as I entered the dungeon, and it was small enough that I suspect it exists on the same scale as the outdoor map and could be mapped on the same piece of paper with it.
           
The dungeon had some keys and levers but no puzzles.
          
The dungeon was small and to-the-point. There were some doors I had to find keys to open and some barriers I had to lower with a lever. Monsters included skeletons, giant spiders, and some behemoth that took a couple of reloads.
           
The photographer didn't make it.
        
The rewards for the dungeon were a few treasure chests, an empty flask, and a rune tablet.
          
Primitive cultures. They're always placing rune tablets on a pedestal.
             
All geography ultimately funnels to the land of Aragarth, on the far eastern side of the Osthirod/Rhudgast island. A bridge leads from Aragarth to what is essentially the second half of the game, and this is where I got bottlenecked for a time by a minotaur, until I learned how to kill him from a distance. On the other side of this bridge, I found the land of Silmartil, a much less hospitable place than the western lands. After I died at the hands of some barbarians, I decided I'd better do another loop around the lands I'd already explored and grind a bit.

I mostly need to start spending some money. I've been very stingy. My characters would probably do better with some more armor (so far, I've only found leather), helms, and shields, and everyone could train a few points in strength or agility perhaps. I need to stockpile more rations to restore Aramir's stamina, since every attack reduces it by 1%. If the dungeon respawns, that might be an easy way to earn both experience and wealth.
              
This is probably the key to character development.
         
Aramir is Level 6 now, everyone else either 3 or 4. I guess leveling affects maximum health and stamina, but as far as I can tell, skills are fixed from the beginning. (Unless they increase when you pay for attribute increases.) I'd probably do well to try to find better party members, but then again maybe I should be grateful that I have four of them who seem to get along and don't bail on me at night.

To recap, Ishar is a pleasant enough game, but one that doesn't grip me with its mechanics or its story. At least it's pretty to look at.

Time so far: 6 hours